MAIN PRESENTER
Lenny Kaye As musician, writer, and record producer, Kaye was intimately involved with an array of artists and bands. He was a guitarist for poet/rocker Patti Smith from her band's inception in 1974, and co-authored Waylon, The Life Story of Waylon Jennings. He worked in the studio with such artists as R.E.M., James, Suzanne Vega, Jim Carroll, Soul Asylum, Kristin Hersh, and Allen Ginsberg. His seminal anthology of sixties' garage-rock, Nuggets, is widely regarded as defining the genre. You Call It Madness: The Sensuous Song of the Croon, an impressionistic study of the romantic singers of the 1930s, was published by Villard/Random House in 2004.
His uncle, songwriter Larry Kusik ("A Time For Us" from Romeo and Juliet; "Speak Softly Love" from The Godfather) took note of his lengthening hair and musical commitment, and asked him to sing on a song he'd recently penned with Ritchie Adams, once of the Fireflies ("You Were Mine"). Kaye soon found himself in Associated Recording Studios on Times Square, recording "Crazy Like A Fox", along with its flip side, "Shock Me". The resultant 45, issued under the name of Link Cromwell, was leased to Hollywood Records, a division of Starday Records located in Nashville, Tennessee, and released in March 1966. It garnered a Newcomer Pick of the Week from Cashbox ("A rhythmic bluesy folk-rocker with a pulsating beat") and was issued in England as well as Australia; but failed to move in the charts. Though hardly a smash, it gave Kaye a sense of self as a musician, and inspired him to continue performing and playing. His group at the time, The Zoo, worked a college circuit ranging from New York to Pennsylvania; this early experience has been captured on a live album issued by Norton Records, Live 1966.
Moving back to the city, Kaye began writing reviews for Jazz & Pop magazine (which was edited at the time by Jim Morrison's soon-to-be wife, Patricia Kennealy Morrison); branching out to such nascent rock publications as Fusion, Crawdaddy and Rolling Stone. He became the music editor of Cavalier, a men's magazine, and would write a monthly column for them until 1975; and the New York correspondent for the British weekly, Disc. As a freelance writer, he wrote for a wide range of periodicals, including Melody Maker and Creem, and edited such publications as Rock Scene and Hit Parader throughout the 1970s.
While working at the record store Village Oldies on Bleecker Street in New York, Kaye met poet-singer Patti Smith. On February 10, 1971, he backed her at a reading at St. Mark's Church on East 10th Street. When they resumed performance in November 1973, their artistic efforts bore fruit as one of the major rock bands of the 1970s. Kaye produced Patti's debut single ("Hey Joe / Piss Factory"), and performed as part of her Group throughout the decade, as reflected in four Arista albums: Horses (1975), Radio Ethiopia (1976), Easter (1978) and Wave (1979).
Following the Patti Smith Group's final performance in September 1979, Kaye joined the Jim Carroll Band, as well as fronting his own Lenny Kaye Connection. He co-produced Suzanne Vega's first two albums, including her 1987 hit single, "Luka", which was nominated for a Grammy as Record of the Year. He has been nominated three times for Grammy awards in the liner notes category for boxed sets on the sixties folk revival (Bleecker and MacDougal), white blues (Crossroads), and progressive rock (Elektrock); and in 1977, with David Dalton, co-authored "Rock 100", a comprehensive overview of leading rock stars from the 1950s til the 1970s.
In 1995, he reunited with Patti Smith and has been a part of her band since, creating five studio albums, a retrospective, and celebrating the thirtieth anniversary release of their landmark debut album, Horses.
BREAKOUT SESSIONS
Rookies: How to get the most out of your practice time - Bill Seifert, Instructor
Minors: Smooth transitions between chords. Strumming options to add character and color. - Frank Zini, instructor
Majors: Majors tend to hang out with the main presenter, either for more info and/or to jam.
Lenny Kaye As musician, writer, and record producer, Kaye was intimately involved with an array of artists and bands. He was a guitarist for poet/rocker Patti Smith from her band's inception in 1974, and co-authored Waylon, The Life Story of Waylon Jennings. He worked in the studio with such artists as R.E.M., James, Suzanne Vega, Jim Carroll, Soul Asylum, Kristin Hersh, and Allen Ginsberg. His seminal anthology of sixties' garage-rock, Nuggets, is widely regarded as defining the genre. You Call It Madness: The Sensuous Song of the Croon, an impressionistic study of the romantic singers of the 1930s, was published by Villard/Random House in 2004.
His uncle, songwriter Larry Kusik ("A Time For Us" from Romeo and Juliet; "Speak Softly Love" from The Godfather) took note of his lengthening hair and musical commitment, and asked him to sing on a song he'd recently penned with Ritchie Adams, once of the Fireflies ("You Were Mine"). Kaye soon found himself in Associated Recording Studios on Times Square, recording "Crazy Like A Fox", along with its flip side, "Shock Me". The resultant 45, issued under the name of Link Cromwell, was leased to Hollywood Records, a division of Starday Records located in Nashville, Tennessee, and released in March 1966. It garnered a Newcomer Pick of the Week from Cashbox ("A rhythmic bluesy folk-rocker with a pulsating beat") and was issued in England as well as Australia; but failed to move in the charts. Though hardly a smash, it gave Kaye a sense of self as a musician, and inspired him to continue performing and playing. His group at the time, The Zoo, worked a college circuit ranging from New York to Pennsylvania; this early experience has been captured on a live album issued by Norton Records, Live 1966.
Moving back to the city, Kaye began writing reviews for Jazz & Pop magazine (which was edited at the time by Jim Morrison's soon-to-be wife, Patricia Kennealy Morrison); branching out to such nascent rock publications as Fusion, Crawdaddy and Rolling Stone. He became the music editor of Cavalier, a men's magazine, and would write a monthly column for them until 1975; and the New York correspondent for the British weekly, Disc. As a freelance writer, he wrote for a wide range of periodicals, including Melody Maker and Creem, and edited such publications as Rock Scene and Hit Parader throughout the 1970s.
While working at the record store Village Oldies on Bleecker Street in New York, Kaye met poet-singer Patti Smith. On February 10, 1971, he backed her at a reading at St. Mark's Church on East 10th Street. When they resumed performance in November 1973, their artistic efforts bore fruit as one of the major rock bands of the 1970s. Kaye produced Patti's debut single ("Hey Joe / Piss Factory"), and performed as part of her Group throughout the decade, as reflected in four Arista albums: Horses (1975), Radio Ethiopia (1976), Easter (1978) and Wave (1979).
Following the Patti Smith Group's final performance in September 1979, Kaye joined the Jim Carroll Band, as well as fronting his own Lenny Kaye Connection. He co-produced Suzanne Vega's first two albums, including her 1987 hit single, "Luka", which was nominated for a Grammy as Record of the Year. He has been nominated three times for Grammy awards in the liner notes category for boxed sets on the sixties folk revival (Bleecker and MacDougal), white blues (Crossroads), and progressive rock (Elektrock); and in 1977, with David Dalton, co-authored "Rock 100", a comprehensive overview of leading rock stars from the 1950s til the 1970s.
In 1995, he reunited with Patti Smith and has been a part of her band since, creating five studio albums, a retrospective, and celebrating the thirtieth anniversary release of their landmark debut album, Horses.
BREAKOUT SESSIONS
Rookies: How to get the most out of your practice time - Bill Seifert, Instructor
Minors: Smooth transitions between chords. Strumming options to add character and color. - Frank Zini, instructor
Majors: Majors tend to hang out with the main presenter, either for more info and/or to jam.